Why intervene?
Why intervene here?
Personally I would
say that landscape architecture is all about the combination of environment, by
human that build something up and transform it or blend it into the
environment. The possibility of the landscape architecture is needed to know
how plants living amount of large space to create with. Moreover with the
understanding the past also present of that particular landscape. Human has
different point of view would create amazing different design outcome. For the
best combination of the environment would be the animal, vegetable and
minerals. Observation we did explore though the nature, with touching, feeling,
smelling sight seeing also learning to understand about it. Almost 5 hours that
we has been walking up and down the hills. It was a great view that we can see
the minerals from a close distance also with the far point of view.
The word
‘INTERVENE’ will means nothing if here is only SUBJECT but no OBJECT in the
sentence. It can be happened between more than two objects. It is an act of
interrupting something properly or in a clever way without any notice in order
to solve or discover through out the space.
To intervene is the act of being interact with
something, without the two or more variants the intervening won’t happened. To
intervene here, is the idea of being a part of the polluted site in order to
explore, understand, and take action for the landscape idea to design something
that would make people rethink about these abandoned mining site.
Credo che il concetto di intervento nasca da un bisogno,
da una necessità che il Luogo esprime
per poter far sentire il proprio senso inespresso…Si interviene, quindi, non
tanto per trasformare e modificare, quanto per tirar fuori ed evidenziare
quelle potenzialità non colte ad “occhio nudo” ed esprimere attraverso lo
spazio la propria visione di un luogo che, in base ai diversi punti di vista,
può cambiare forma in mille modi diversi.
Si decide di interviene in questo luogo ricco di
storia per mitigare il devastante impatto e sfruttamento ambientale che
l’estrazione mineraria di Piombo e Zinco ha avuto su tutto il complesso; il
paesaggio è stato danneggiate, modificate ed inquinato, più o meno
permanentemente, così come le attività ad esso annesse. Lo scopo di intervenire QUI è quello di dare un
presente ed un futuro ad un luogo modellato dal passato e convertire il suo
utilizzo per gli abitanti che lo vivono dall’interno ma che lo osservano,
oramai, solo da lontano.
In
the history people always interviened on a site for further motivations; they
interviened for their existence, for needs when they become stanzialed and they
need to cultivate vegetable and fruit, to create a pat or streets to reach
different places, to making edges, to construct something, and also to extract.
For me most important things to interviewing in a site is to make something
that lives maybe more than persons who made it and also useful; something that
con make other people knows and comprehend something about our culture.
Here
we have a site that mixed history and present, so history is presenting us by
architecture, buildings by mens with squared stones, concrete and wonderful
neogothic art and window before. We can see through these elements and also
read how the extract and producting process was made by people, and workers
here in Sardinia. The owners here are an important part of the an other process
that make makesrural autocton persons to minators. Present is showed us by new
geological topography that made by discard and ghost buildings. Discard
topography means a new soil also new mountains and different water and river
courses. Means pollution, means pour material, means caves. It’s one of the
most broken, perforating, changed places were we can work on.
To extract
What we have been
observed and need to understand more about that space. It is to get to know all
the elements around the site. Because of human sight seeing is not enough,
needs more touching, feeling and smelling. It would give the real understanding
on the site, deeply information but also do not destroy the nature. Within the
different way of nature and environment has created a new architecture design
that human has been discard about it, it has gave the totally different kind of
expression in architecture design.
In its own
definition, extract can be part of the chemical reaction that divides two
substances apart. However, in my opinion, extract is a kind of reaction when
one needs to explore or to know something by pulling it out, exploded it, and
separated it.
To extract is to
take something out of its own substance to make use of it. The used of useful
thing that needed to be selected from the original object. My idea toward this
word is the idea of exploring through object that needed to be seek for useful
thing and took it out.
The
extract process in miniers remains visible till now. We can read the process by
the different architecture that we meet in these geological park. Before the
extract process wasn’t so efficient
because of it was made by an horizontal architecture, that makes process
a long chaine made by people, machines, and
also animal. Other architecture shows us a different way of extracting process,
made by a vertical connection, and means a new chaine process made by people,
machines, and infrastructure that allow the process to be more quick.
To discard
For more than 50
years, human has been disturbed the environment also discard all the pollution
left behind their work. Since ancient time, the most important part of the
architecture structural would be the foundation of itself that could create the
best space for human living. Architecture was not follow the function of human
needs it seem to not useful anymore and people will not stay in that useless
architecture. On the other hand, what people have been left behind it seems to
create beautiful structural patterns from period of time by nature itself.
Discard is to get
rid of something that you not even care about it. It is all about ignorance and
leaving of a trace in order to find a clue in a specific location.
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